" The feminine vanities in Ruth were quiescent; nothing had ever occurred in her life to tingle them into action. And since then, he has openly avowed his determination of cutting his master's throat on the slightest inkling of treachery. This getting up at dawn—real dawn—and working until seven was a distinct novelty. Charvill’s fury was burning out. But at the beginning of the affray, when he thought every one was too much occupied with his own concerns to remark his absence, he slipped out of the room, not for the purpose of avoiding the engagement (for cowardice was not one of his failings), but because he had another object in view.
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